Recommended by Coldplay and the Archbishop
of Canterbury, and described by Classic FM as
“one of today’s most exciting young composers
- a household name in years to come”, British
composer Rebecca Dale made history in 2018
when she became the first female composer to
sign to Universal Music’s Decca Classics label.
This was after her self-release for choir and
orchestra, “I’ll Sing” reached No.1 in the
iTunes Classical Singles charts; her debut album,
featuring her requiem and choral symphony,
then went to No.1 in the UK’s specialist
Classical charts.
Rebecca’s music is broadcast regularly on
classical radio and has been performed and
commissioned by many ensembles, including
the Royal Liverpool Philharmonic, the London
Mozart Players, the Scottish Festival Orchestra,
Voces8, Sonoro, Sansara, Musica Intima,
and soloists Nicola Benedetti, Mari & Hakon
Samuelson, Angele Dubeau, Joby Burgess and
Louise Alder. Her requiem was premiered by the
Welsh National Opera’s community chorus and
is performed widely around the world; she writes
regularly for choirs and was 2023 composer in
residence for the Opus Foundation, with a series
of dedicated concerts of her work for choir and
orchestra across the Netherlands culminating
at the Concertgebouw in Amsterdam. In 2021
she was commissioned to write the Church of
England and Classic FM’s first Christmas single,
and in 2023 HRH King Charles selected her
orchestral reimagining of a Scottish folk melody
for the Scottish service for his coronation.
Upcoming commissions include recording with
cellist Raphaela Gromez and the Deutsches Symphonie-Orchester, and for percussionist Alexej
Gerassimez at the Tonhalle Düsseldorf.
In addition to her concert work Rebecca
composes and orchestrates for screen, working
on projects for HBO, 20th Century Fox, Disney,
Working Title, Sky and the BBC. She contributed
music for BBC One’s adaption of Little Women,
and has been nominated for best original music
in feature film at the international Music & Sound
Awards. She is a fellow of the MacDowell Colony,
the Sundance Composers Lab and the ASCAP
Film Scoring Workshop, and has judged for the
Royal Television Society Awards and the Ivor
Novellos. Her orchestral work has been recorded
and conducted by her at Abbey Road, Air Studios,
George Lucas’s Skywalker Ranch and Fox Studios,
Hollywood.
Born in London, Rebecca was composing from
very young, completing her first musical aged
10 and piano concerto at 15, before studying at
Oxford University (New College) and the National
Film & Television School. Her writing is imbued
with a love for both choral and film music.